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Art in Racing: Community Steps In Where Motorsport Falls Short

Award-winning artist Elicia McKenzie with Lewis Appiagyei and Ruben Stanislaus (right) Photos: Shae Shepherd Photography
Award-winning artist Elicia McKenzie with Lewis Appiagyei and Ruben Stanislaus (right) Photos: Shae Shepherd Photography

IN motorsport, talent alone is rarely enough. Raw speed, racecraft and determination can only take a young driver so far, because sooner or later they reach the same brick wall: funding. It is no secret that financial barriers shape who gets to rise through the ranks, often determining the faces we see at the top of the sport and not allowing raw talent a fair chance to speak for itself. It is also one of the reasons representation matters, because the faces we see at the top shape who feels welcome to dream of getting there.


This is why Art in Racing feels so important. It stands as a declaration that talent exists everywhere, even if opportunity does not. And on a quiet Thursday evening in Brixton, a private audience gathered inside The Department Store to witness award-winning visual artist Elicia McKenzie, two extraordinary young drivers, and a community determined to push open the doors of motorsport together.


Hosted by Disrupt Space under the leadership of its Executive Director, Paul Reid, the exhibition sets out to disrupt the norm by using art as a platform to highlight the journeys of two talented young British drivers, Lewis Appiagyei and Ruben Stanislaus. Rather than letting their stories fade behind financial barriers, the exhibition brings their experiences into the spotlight and rallies a community behind them, turning creativity into a tool for visibility, support and opportunity.


Art that Tells a Deeper Truth


In the centre of the exhibition space, Elicia’s paintings told a story that words alone could never fully hold. Her work captured not only the intensity and emotion of racing, but also the quieter truths behind it. One of the most striking pieces showed a father and son standing with their backs to the viewer, facing an obstacle ahead. The father’s hand rested on the back of his son’s shoulder. To me, it looked like a father giving support, love, protection and encouragement.


A group of eight posing indoors, two holding helmets. Colorful portraits on wall. Varied attire; casual and formal. Bright setting.

That image resonated deeply because it mirrors real life for both Lewis and Ruben. Their parents were present in the room that night, showing us that it is never only a driver on his or her own. It is a family’s journey. A family’s sacrifice. A family’s belief. And the artist understood that better than most, drawing from her own life and the support she received from her mother.


Elicia spoke openly about the purpose behind her work.


“I see my art as a service. I think it is important that we capture the stories from the individual and people get to see that. There are a lot of young people that need to see Ruben and Lewis doing something amazing and know that they can do it too. So if through these events or activations and more eyes on them, more eyes on the art, if that makes a difference and they get sponsorship, then service done I believe.”


Her vision extends beyond this debut exhibition.


“This is just the kick off, this is the launch of it. We have already put out word in different art institutes and different locations. Next year, 2026, I am hoping to have more exhibitions, more spotlight on the drivers, more workshops for young people, more panel talks. Just keep getting the message out.”


And for her, the parents’ stories matter just as much.


“It is not only the drivers, it is also about the people behind them. Their parents, my mum, because there is a lot of support that we do not see on the track. I think it is important that we capture that as well.”


THE DRIVERS BEHIND THE CANVAS


Lewis Appiagyei and Ruben Stanislaus are two talented British racing drivers whose careers mirror each other in striking ways. Both began carving their paths in karting at a very young age, both rose quickly through the ranks, and both eventually learned the same difficult truth about motorsport: talent can only take a young driver so far without funding to match it.

Their achievements, displayed proudly at the exhibition, speak for themselves.


Lewis has been winning since childhood, earning Rookie of the Year honours, multiple karting titles and even setting a Guinness World Record for the fastest lap of Laguna Seca in Gran Turismo 5 on PlayStation 3 with a 44-second time. His list includes championship wins in the BP Pro Series, international race victories and recognition on the Forbes Africa 30 Under 30 list. He also featured in the BBC documentary We Are England: Born to Race, which followed both him and Ruben as they navigated the realities of trying to progress in motorsport without major backing.


Two people view colorful art in a gallery. The left painting is orange with a patterned background, and the right is blue with a helmeted figure.
Two attendees taking in Elicia's work

Speaking about seeing his journey turned into art, Lewis said:


“I was really blown away because it’s crazy to see yourself in a painting. Being able to visualise the journey that me and Ruben have had over the years is really great to see. Hopefully it’s going to be a good inspiration for a lot of other racing drivers.”


Ruben’s résumé is just as compelling. From early karting wins and lap records to becoming runner-up in the ZEO Prototype Series and earning multiple race victories in Praga machinery, he has built a record that demonstrates undeniable talent and adaptability. Ruben also appeared in Born to Race, giving viewers insight into the sacrifices required to stay competitive.


On the financial pressure of the sport, he was open and honest:


“I’ve been lucky to have some family support. My grandad took out a loan to get me a simulator. My dad has been my biggest sponsor from the first day. Sponsorship is the backbone of motorsport.”


Lewis echoed the sentiment:


“Ruben and I have the talent, we’ve proved it for years. But we’ve watched people we used to race against progress, and it’s hard knowing you can do the same but finances hold you back.”


THE INVISIBLE COSTS


Beyond limiting opportunities, finances even affect the way young drivers race. Ruben captured this reality clearly, explaining how a lack of budget forces drivers to think twice before taking risks.


He put it plainly:


“Even when I was racing a few seasons ago, I was scared to go for overtakes because if I crashed the car, we haven’t got twenty grand to fix a front wing. So mentally you have to drive differently, and that can be the difference between coming first and coming second. That can cost you a championship.”


It is a truth rarely seen from the outside, but felt deeply by those living it.


Despite these challenges, both drivers continue to develop and chase the opportunities they deserve.


An Exhibition That Became a Living Story


As the evening unfolded, the exhibition shifted from a showcase into a living, breathing story of community and ambition. Guided by host Adisa Stephen-Ezeocha, the room moved seamlessly from art appreciation into conversation, reflection and shared experience. We had the opportunity to sit in on an intimate discussion between Adisa, the drivers, the artist and their parents, offering a rare window into the sacrifices, hopes and determination behind their journeys.


Before the conversation began, Adisa encouraged the room to connect. He invited everyone to turn to someone they did not come with and ask what brought them there. It was a simple request, but it changed the energy instantly. Strangers became participants. Conversations sparked. Smiles appeared. And among the people weaving through the crowd asking others what brought them there was Lewis’ mum, a moment that captured just how personal and communal this gathering truly was.


Throughout the night, Paul Reid, Executive Director of Disrupt Space, spoke about the purpose behind creating platforms like this one. Addressing the room, Paul Reid said:

“Whatever your skill is that you might be able to contribute towards elevating these two wonderful drivers, please come forward, make yourself known.”


As the conversation with Lewis and Ruben went on, the walls around us continued to glow with moving images. Onboard footage from the cars they had driven bounced off the wall, and Ruben was asked to guide us through what we were seeing. It was actual race footage from inside different cars they had competed in, showing some of the moments that shaped their careers. It added a deeper layer to the exhibition, turning what could have been simple visuals into lived experience.


And all around the room, there were physical pieces of their journey on display. Trophies they had won despite limited track time. Racing suits they had used during a race season. Photographs and mementos from their early years in karting, some of which formed part of Elicia’s mood board as she developed the collection. Each item added another layer to the evening, surrounding us with milestones from two careers still being written.


The energy lifted again as guests filtered toward the simulator rig at the back of the room. The setup, surrounded by glowing projections and the hum of conversation, invited everyone to experience a small piece of what the drivers feel in the cockpit. A fastest-lap competition soon kicked off, adding an unexpected dose of excitement to the evening and drawing people together in friendly rivalry.


Three people smiling, standing in an art space. A screen behind them displays "AIR: Art in Racing" with helmets. Floor is grey concrete.
The Voice’s motoring correspondent, Damian Hall, with Elicia Jacobs and Voice sports editor, Rodney Hinds (right)

I shook off a few cobwebs and found myself at the top of the leaderboard, winning a watch from  one of Ruben’s sponsors, STORM. The entire projection and simulator setup was provided by Sysco, whose technical work gave the exhibition an immersive and authentic motorsport feel.


Art in Racing feels and looks like community choosing to make change instead of waiting for it. The evening highlighted two young drivers with world-class potential and placed them in a room filled with people who believed in their journeys. Progress in motorsport is rarely straightforward, but it becomes far more possible when a community stands behind those trying to break through.


Ruben has already attracted interest from GT and endurance teams, with opportunities ranging from Lamborghini to prototype programmes, all pathways toward his dream of winning at Le Mans one day. Lewis continues to push for the seat time needed to showcase the talent he has demonstrated since karting. With the right support, both drivers have the potential to build long-term careers in GT and endurance racing.


For anyone who wants to support that progression, there are practical ways to get involved. This includes purchasing artwork from the exhibition, exploring sponsorship opportunities or connecting them with people and organisations who can help move their careers forward.


Every contribution plays a part in opening the door wider for future talent.


To offer support or enquire about acquiring work from the collection, email info@artinracing.com. To follow their journey, visit @team.artinracing on Instagram.

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